Pablo Picasso (After) / Small Woman Seated Presentado por Fairhead Fine Art Ltd

Pablo PICASSO (AFTER) - Small Woman Seated

Presentado por Fairhead Fine Art Ltd

  • Técnica
    Sin técnico
  • Dimensión de la imagen
    0,0 x 0,0 cm / 0.0 x 0.0 in
  • Dimensión del papel
    16,0 x 7,0 cm / 6.3 x 2.8 in
  • Tirada
    N/A
  • Precio
    Precio reservado
  • Referencia
    Literature: Egidio Costantini - Il Maestro de Maestri e la Fucina Degli Angeli: Catalogue 157/177 Egidio Costantini ei Sui Artisti - From Picasso to Fontana: S 50/107
  • Visita(s)
    2900
  • Estado
Pablo PICASSO (AFTER) - Small Woman Seated

after Pablo Picasso (1881 - 1973) by Egidio Costantini (1912 - 2013)

Title: Small Woman Seated (s.8443)
Medium : Transparent glass blown and shaped freely, 1962, fused together with an iridescent finish, mounted on a Plexiglass base. Diamond engraved on the glass : “Pablo Picasso Fucina Angeli, Venezia - 62 Size: 160 mms (Height without base)
Note: Before embarking on his own glassmaking career, Costantini began as an agent for several Murano glass factories in Venice, which allowed him to work with master glassblowers and learn the intricacies of the trade. He wanted to elevate the craft of glassblowing to the same level as sculpture or painting, so he mediated collaborations between glassblowers, artists, and himself to create glass sculptures based on drawings made by contemporary artists. He went to Paris to promote his project to the most famous artists of the time, and this led to collaborations with Alexander Calder, Marc Chagall, Jean Cocteau, Gino Severini, Pablo Picasso, Jean Arp, Max Ernst, and others. Picasso’s partnership with Costantini echoes his relationship with Georges Ramie of the Madoura Pottery in Vallauris, France. The two men met in Vallauris in 1954 but their working relationship did not begin until a few years later when Peggy Guggenheim invited the artist to Venice. Whereas the Ramies in Vallauris created numerous ceramics with often large editions Costantini translated the artists drawings into glass sculptures. These were made in very small numbers and rarely are found on the market today. They have a luminous reflective quality giving them a certain depth and changeability absent in the ceramic works.
Edition: 3/36
Provenance:
Egidio Costantini, Fucina Angeli, Venezia - 62 -
Galerie Monsterburg, Venice
3) Private Collection, Basel, Switzerland - purchased from the above 1970/1972
Public Collections: Peggy Guggenheim Collection, Venice, Italy.
Exhibitions: Musee des Arts Decoratif, Lausanne, 1972
Literature:
Egidio Costantini - Il Maestro de Maestri e la Fucina Degli Angeli: Catalogue 157/177
Egidio Costantini ei Sui Artisti - From Picasso to Fontana: S 50/107
Condition: In very good condition

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ESTAMPAS DISPONIBLES DE PICASSO (AFTER)

Nuevo

Litografía Picasso (After) - Nature morte à la pipe, 1962

vendido

Litografía Picasso (After) - Portrait de Frédéric Joliot-Curie, 1959

Serigrafía Picasso (After) - War and Piece

vendido

Litografía Picasso (After) - Arlequin (Le peintre Jacinto Salvado en Arlequin), 1964.

Litografía Picasso (After) - La Dame à la Collerette (Portrait de Jacqueline à la Fraise), circa 1970

Litografía Picasso (After) - Céramiques - Galerie Lucie Weill, 1967

vendido

Litografía Picasso (After) - Femme nue au bonnet turc, 1974

vendido

Litografía Picasso (After) - Femme et enfant, 1966

vendido

Litografía Picasso (After) - Sixième Biennale de Peinture, Menton, 1966

Offset Picasso (After) - Le Minautore aveugle - Art Graphique du XXème siècle, 1969

Litografía Picasso (After) - Dixième Biennale Internationale d'Art, Menton, 1974

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