Mural piece with moving part. Signed at the back.
Carlos Cruz-Diez’s Chromointerference Manipulable (Circulaire) exemplifies the artist’s pioneering investigations into color as an autonomous and perceptually dynamic phenomenon. Situated within his broader chromatic research, this work invites the viewer’s active engagement: through slight shifts in position and light, rhythmic interferences of hue emerge and recede. Cruz-Diez’s modular construction foregrounds the materiality of color while underscoring its dependence on perceptual conditions, effectively positioning the work at the intersection of optical experience and systematic inquiry. Chromointerference Manipulable (Circulaire) thus operates not merely as an object but as a perceptual apparatus, demonstrating the artist’s sustained commitment to color as form, process, and event within contemporary practice.
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